Museum of Modern Art (MoMA), NYC

Museum of Modern Art (MoMA), NYC – Virtual Tour

Museum of Mod Art (MoMA) 's collection offers an overview of mod art, which includes works of painting, drawing, sculpture, compages, pattern, photography, prints, illustrated books, creative person's books, movie, and electronic media.

A Virtual Bout of the Museum of Modern Art, (MoMA), NY

  • "Reflections of Clouds on the Water-Lily Pond" past Claude Monet
  • "The Starry Night" by Vincent van Gogh
  • "Broadway Boogie Woogie" by Piet Mondrian
  • "Le Grand Nu" by Amedeo Modigliani
  • "The Sleeping Gypsy" by Henri Rousseau
  • "Christina's Earth" by Andrew Wyeth
  • "La Goulue arriving at the Moulin Rouge" by Henri de Toulouse-Lautrec
  • "Gas" past Edward Hopper
  • "The Dream" by Henri Rousseau
  • "The Moon and the Earth" past Paul Gauguin
  • "Olive Trees with the Alpilles in the Background" by Vincent van Gogh
  • "The Urban center Rises" past Umberto Boccioni
  • "Cleaved Obelisk" past Barnett Newman
  • "Opus 217. Confronting the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890" by Paul Signac
  • "Tale of Creation" – "Genesis II" past Franz Marc

Highlights Bout of The Museum of Modern Art (MoMA)

"Reflections of Clouds on the Water-Lily Pond" by Claude Monet

"Reflections of Clouds on the Water-Lily Pond" by Claude Monet is a monumental triptych portraying a water-lily pond, from Monet'south garden in Giverny, with the sky and clouds reflecting off the lily pond.

Monet aimed to give: "the illusion of an endless whole, of water without horizon or banking concern." Monet attempted to capture the continually irresolute qualities of lite, colour, water, sky, and lilies by dissolving all the elements in: "the refuge of peaceful meditation in the eye of a flowering aquarium."

"The Starry Night" by Vincent van Gogh

"The Starry Dark" past Vincent van Gogh depicts the view from the e-facing window of Van Gogh's asylum room at Saint-Rémy-de-Provence, just earlier sunrise, with the improver of an arcadian village.

"The Starry Nighttime" is regarded every bit 1 of Van Gogh's about beautiful works and is ane of the most recognized paintings in the history of Western culture.

 In 1888 Van Gogh had a breakdown that resulted in the self-mutilation of his left ear, and he voluntarily admitted himself to the Saint-Paul-de-Mausole lunatic asylum.

The aviary was housed in a former monastery that catered to the wealthy and was less than half full when Van Gogh arrived.

He was thus allowed to occupy a 2d-story bedroom and likewise to employ a ground-floor room equally a painting studio. During the year Van Gogh stayed at the asylum, he produced some of the best-known works, including the Irises, many self-portraits, and The Starry Dark.

"Broadway Boogie Woogie" by Piet Mondrian

"Broadway Boogie Woogie" by Piet Mondrian was created after the artist moved to New York in 1940. Compared to his before work, the canvas is divided into many smaller squares.

Although Mondrian spent most of his career creating highly abstract work non straight related to reality, this painting was inspired by the real-world examples of the city filigree of Manhattan, and the Broadway boogie-woogie, a type of music that Mondrian loved.

The piece is made upwards of shimmering squares of brilliant color that leap from the canvas, and seem to shimmer, drawing the viewer into those neon lights of New York.

"Le Grand Nu" by Amedeo Modigliani

"Le Grand Nu" by Amedeo Modigliani is 1 of the dozens of nudes created by Modigliani in a modern fashion characterized by elongation of faces and figures that repeat precursors such as Titian, Goya, and Velázquez.

However, Modigliani's figures differ significantly in the level of raw sensuality they transmit.

Different depictions of female nudes from the Renaissance to the nineteenth century, in which female person nudity is couched in mythology or allegory, this series of paintings are without whatever such context, highlighting the painting'south eroticism.

"The Sleeping Gypsy" by Henri Rousseau

The Sleeping Gypsy past Henri Rousseau is a fantasy depiction of a lion musing over a sleeping woman on a moonlit nighttime.

Rousseau portrayed an African Gypsy in a desert wearing a colorful costume, sleeping in the desert with an Italian stringed musical instrument, and a jar of water.

This painting has several elements from different cultures, and Rousseau has mixed them all into a unique prototype. Rousseau described his picture as: "A wandering Negress, a mandolin player, laid downwards with her jar abreast her and overcome by fatigue in a deep sleep.

A lion adventure to pass by picks upwardly her olfactory property yet does non devour her. At that place is a moonlight event, very poetic."

"Christina'due south World" past Andrew Wyeth

"Christina's World" past Andrew Wyeth depicts a adult female semi-reclining on the ground in a treeless, more often than not tawny field, looking up at a grayness house on the horizon.

A barn and various other small outbuildings are adjacent to the firm. Wyeth was inspired to create the painting when he saw a woman crawling beyond a field while he was watching from a window in the house.

The adult female was suffering from a illness that limited her mobility and was 55-twelvemonth years old. Wyeth explained that the woman: "was limited physically but past no means spiritually."

Although the older women inspired the subject of the painting, Wyeth used his wife Betsy as a younger model to pose as the body for the fine art. Wyeth wanted to: "do justice to her extraordinary conquest of a life which nearly people would consider hopeless."

"La Goulue arriving at the Moulin Rouge" past Henri de Toulouse-Lautrec

"La Goulue arriving at the Moulin Rouge" past Henri de Toulouse-Lautrec depicts La Goulue, which was the stage name of Louise Weber (1866 – 1929). This French tin can-can dancer was a star of the Moulin Rouge, a famous cabaret in Paris, virtually Montmartre.

La Goulue was the most successful tin can-can dancer of her fourth dimension. Weber became known as La Goulue because, as an adolescent, she was known for guzzling cabaret patrons' drinks while dancing. She too was referred to as the Queen of Montmartre.

 She initially worked as a washerwoman until she was discovered. At historic period 16, she was working with her mother in the laundry, but behind her female parent'south back began sneaking off to a dance hall dressed in a customer'due south "borrowed" dress.

Having achieved both fame and fortune, Weber parted visitor with the Moulin Rouge in 1895 and strike out on her own.

"Gas" by Edward Hopper

Gas by Edward Hopper depicts an American gas station at the end of a highway. This limerick was a composite of several gas stations that Hopper inspected.

Hopper struggled with this painting, and he had trouble finding suitable gas stations to paint. Hopper wanted to paint a gas station with the lights lit above the pumps, only the stations in his area only turned the lights on when it was pitch dark, to salve free energy.

The light in this painting gives the scene of a gas station and its lone attendant at dusk, an underlying sense of drama.

Hopper as well captured the loneliness of an American state road, which makes this moving picture memorable and leaves an impression with its combination of both natural and artificial light.

"The Dream" by Henri Rousseau

"The Dream" past Henri Rousseau is one of 25 paintings by Rousseau with a stylized jungle theme. The jungle plants are based on Rousseau'southward observations at the Paris Museum of Natural History and its Jardin des Plantes.

Information technology features a portrait of Rousseau's Polish mistress from his youth, lying naked on a divan. She is gazing over a landscape of lush jungle foliage, including lotus flowers, and animals including birds, monkeys, an elephant, a panthera leo and lioness, and a serpent.

The Dream is the largest of the jungle paintings. It was his last completed work, a few months before his death in 1910.

"The Moon and the Earth" by Paul Gauguin

"The Moon and the Earth" by Paul Gauguin depicts an ancient Polynesian myth, in which Hina, the female spirit of the Moon, implores Fatou, the male spirit of the Earth, to grant humans eternal life. Fatou denies the request.

Hina's effigy is in total view, while Fatou, is shown from the breast up. The male spirit of the Earth is darker and more than significant in the background.

Gauguin is at present recognized for his experimental use of color and a style that was distinctly different from Impressionism.

He spent the concluding ten years of his life in French Polynesia, and most of his paintings from this time depict people or landscapes from that region.

"Olive Trees with the Alpilles in the Groundwork" by Vincent van Gogh

"Olive Trees with the Alpilles in the Background" by Vincent van Gogh depicts green olive copse twisting and swirling equally if reflecting the radiating heat from the footing on a hot solar day in June 1889 in southern French republic.

The olive grove is capped past the rolling blue hills of the afar Alps, beneath a low-cal-washed heaven with bundled clouds engaged in their ain twisting dance of nature.

The Chaîne des Alpilles in the background of this painting is a minor range of low mountains in Provence, southern France. The mural of the Alpilles is one of the barren limestone peaks separated by dry valleys.

Vincent van Gogh painted many images of the Alpilles' landscapes during his fourth dimension in Saint-Rémy-de-Provence on the northward side of the mountains.

"The Metropolis Rises" by Umberto Boccioni

"The City Rises" past Umberto Boccioni was his first major Futurist piece of work. Boccioni portrays the construction of a new building structure, as can be seen with scaffolding and wall projections in the upper background.

The composition, however, is dominated by men and horses, melted together in a mutual and dynamic effort.

Boccioni has emphasized in this painting the nigh typical elements of Futurism, the exaltation of human being work, and the dynamism of a modern industrial city.

Boccioni'southward arroyo was to draw the dynamism of course and the deconstruction of solid mass to portray the construction of modernity with developments and applied science.

New developments in the suburbs and the urban environment formed the basis of many of Boccioni'due south paintings. His passion was to capture of the staccato sounds of structure to the riot of audio and color offered by industrialization.

The original title of the painting was "Work," as it first appeared at the Mostra d'arte libera Exhibition in Milan in 1911. The current title "The Metropolis Rises" captures the artist's more than dynamic vision and the start of the "Futurist" motility.

"Broken Obelisk" past Barnett Newman

"Broken Obelisk" by Barnett Newman is a sculpture that fuses the universal symbols of ancient Egypt, the pyramid, and the obelisk to reimagine the inverted obelisk shaft as a beam of light.

Our perception and clan of pyramids and broken columns with aboriginal history has been reinterpreted into a current model of experience beyond the ordinary or physical level.

"Broken Obelisk" is a sculpture in the public fine art infinite that acts as philosophical insight into knowledge, reality, and beingness.

"Broken Obelisk" was designed between 1963 and 1967 and is fabricated from iii tons of Cor-Ten steel, which acquires a rust-colored patina.

"Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of K. Félix Fénéon in 1890" by Paul Signac

"Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890" past Paul Signac depicts the French art critic Félix Fénéon standing in front of a swirling colored groundwork.

The portrait is a profile of Fénéon, with his characteristic goatee beard, wearing a brown coat with a black suit and white shirt. He holds a black peak lid and walking cane in his left hand and a cyclamen blossom with the fingers of his outstretched right manus.

The bailiwick's trunk creates a triangular pattern, while the curves of the blossom echo the upward trajectory of Fénéon's goatee. The groundwork is a rhythmic beat of swirling colors contrasting with the foreground portrait of Fénéon and the flower.

The swirling patterns in the groundwork create a colour bike with abstract designs meeting at a central point. A Japanese woodblock print may have inspired the background. Signac'due south gallery of Japanese prints included examples of kimono patterns.

Fénéon'south relation to the decorative groundwork may exist symbolic as he was a defender of Neo-Impressionists confronting criticism.

"Tale of Creation" – "Genesis II" past Franz Marc

"Tale of Creation," also known as "Genesis Ii" by Franz Marc, is a colored print from woodcut, illustrating the creation story in the Volume of Genesis. Pure and uncorrupted life emerges from a chaotic and dynamic swirl of interlocking forms.

Color for Marc came to embody emotional and spiritual states. Animals were frequent subjects in his paintings, as Marc considered them more spiritual and closer to nature than humans.

Marc, in this woodcut print, was influenced by his studies of early printed Bibles and their woodcut illustrations.

Marc was planned to include this impress in an illustrated Bible he was organizing for the Blaue Reiter, the Munich-based artist grouping he cofounded.

However, by 1914 at the kickoff of World State of war I, when Franz Marc created Schöpfungsgeschichte Two (Genesis II), he had lost his religion that the natural earth could provide an antitoxin to what he viewed every bit a ill society.

Museum of Modern Fine art (MoMA), NYC

  • Name:                Museum of Modernistic Art, NYC – MOMA
  • Urban center:                    New York City
  • Established:        1929 (87 years ago)
  • Type:                   Art Museum
  • Address:            eleven West 53rd Street, New York, NY 10019

Museum of Modern Art – New York

A Virtual Bout of Manhattan Museums

  • Metropolitan Museum of Art – MET
  • Museum of Modern Art, NYC
  • Intrepid, Sea, Air & Space Museum
  • Neue Galerie New York
  • The Cloisters
  • Solomon R. Guggenheim Museum
  • American Museum of Natural History
  • Museum of the City of New York
  • New-York Historical Guild
  • Frick Drove
  • Met Breuer
  • Rubin Museum of Art
  • Jewish Museum
  • Whitney Museum of American Art

Museum of Modern Fine art, NY

Museum of Modern Fine art, NY – Map

Museum of Modern Art (MOMA) New York.

Museum of Modernistic Fine art, NY

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"Give me such shows — give me the streets of Manhattan!"
– Walt Whitman

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Photo Credit:  Past Velvet (Own work) [CC By-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons

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